What does it mean to be Italian in 2020? How do young adults, the aging, members of the LGBTQ community, second-generation Italians and immigrants negotiate and construct their identities in Italy today? More specifically, what are the personal histories of these individuals and groups in a nation where ideologies of an imagined homogeneity persist, yet day-to-day, lived experiences shore up visions of a “modern,” multifaceted Italy?
Building on these questions, this course will examine the increasing presence, participation, and visibility of traditionally marginalized persons in Italy. Following a historical introduction that gives context to the Unification and subsequent nation-building projects in Italy, the course draws on an archive of interdisciplinary texts of multiple mediums (visual, auditory, etc.) to illustrate conventions, trends, and exceptions of be(com)ing Italian in 2020.
short video 1​
PURPOSE
Enlighten the class!
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Explain key elements/observations/techniques the spectator should reflect on
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Illustrate how these elements/observations/techniques correspond with overarching themes addressed in class (i.e. masculinity/masculinities, “male crises”)
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Pose an open-ended question that sparks discussion
REQUIREMENTS
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Your presentation should be between five and seven minutes
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You will not be showing the clip – but you must have media (film stills, images, text) to reference during your presentation
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You must use appropriate film language – in addition to pointing out a film technique (i.e. high and low camera angles), explain what purpose they serve in this particular scene
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You must provide context – historical and/or filmic (please specify)*
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You must connect your observations/ analysis to overarching themes addressed in class (i.e. masculinity/masculinities, “male crises”)
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*Historical context deals with the ‘real.’ Provide some facts that help situate this scene in the appropriate historical, social, political context(s). Filmic context deals with the ‘reel’.
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PREPARATION
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Reflect & Connect
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Two to three students will present during the same lesson. You are responsible for connecting with the other presenters to ensure that the same scene is not presented multiple times
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Why have you chosen this scene?
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What connections can you make between this scene and class discussions on Italian cinema and representations of masculinity/ masculinities/ ‘male crises’?
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Re-watch scene (with & without sound)
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What film elements do you find most striking (i.e. sound, color, mise-en-scene)?
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Which film techniques to you observe? What purpose do they serve?
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Read/ review class notes, readings, viewing guide
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Do these resources provide adequate historical/filmic context?
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Do these resources adequately inform your understanding of representations of masculinity/masculinities in this scene?
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Is more research required?
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Complete additional research
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Consider searching for interviews, podcasts, film reviews.
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Prepare your presentation
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Remember, you will not play a clip of the scene for the class. Think of a way to frame the scene you analyze in a way that will help your classmates recall it (i.e. When does this scene occur in the broader film narrative?)
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Organize supporting media (film stills, images, key text). You can either ‘share your screen’ with the class or email these materials to me before your presentation (note: I cannot open ‘Pages’). If you utilize PowerPoint/ Google Slides I suggest that you include no more than 3 slides.
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Provide a bibliography of sources (including class readings/ notes) referenced. Use MLA format.
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Devise an open-ended question to pose to the class after your presentation. This question should prompt discussion, and it should be connected to course content.
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You must submit all of these materials (supporting media, bibliography, open-ended question) on Blackboard by the day of your presentation.
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GRADING
35% Following directions
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respects time limit, uses supporting media, creates bibliography in MLA format, submits materials on time
20% Use of film language
35% Insights
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connection to historical/ filmic context & conceptions of masculinity/masculinities
10% Engagement
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(facilitates class discussion with an open-ended question)
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